Living Words In A Covid World

Koans are not things that fit into our belief system nor can they be used to manipulate others in support of a particular world view. Rather, they pull us out of our attachments and perceived certainties in deference to the moment, calling us to be “now” and right “here,” or nowhere. They guide us as we abandon location, the living words of the koan engendering living response, alive to the situation. Koans fit the moment. Moving and shimmering with vitality, like a postcard from awakening they call, “Wish you were here!” The universe calls out to us in the koan. Like the horse shining in the sun on my early morning walk, the koan calls me into relationship. They are living words that open to an encounter and relationship with life as it is, not as remembered or imagined. But, simply, as it is.

The Open Hand, The Third of Dongshan’s Three Ways

The world unfolds giving and I receive — the kindness of a friend, her smile a gift on a rainy day; the way the dog nudges against me, asking me to rub her ears; the phone rings, a friend calls; the sun as it rises – the horizon aflame; the trail rising to meet me as I walk the property; the Blue Heron rising from the pond, squawking as she flies. The hand that freely gives is the hand that receives. The hand that receives and declines to hold is already the hand that gives. Dongshan teaches this open hand. Good thing too.

The Bird Path, The Second of Dongshan’s Three Ways

Willing for the moment, we unclench and let go of wanting to shape our reality into what we know and want. We no longer find fault or enter into a quarrel with the life that is here and now. What comes comes. And if we find fear or anger or sadness or despair or loneliness, if we don’t grab hold, or as we unclench, the joy and love that is there before fear, anger, etc…, the spaciousness, comes into plain view. Outside of our objections to reality, lies the bird path.

The Dark Way, The First of Dongshan’s Three Ways

The dark has a texture its own, a support that leads us into life, that will open us to each discrete and successive moment. This blessed way calls us forth, to feel our way as we experience life as it comes to us. Feeling our way along feels like a naked trust, as it can only be undertaken “in the dark,” from a place of not-knowing. Our trust is naked as we trust the uncertain and unknown, noticing and receiving the offering that the darkness brings, that is our’s in the mystery.

The Tale of Two Naughty Horses or Out of Bounds!

The koan is vast, encompassing and moves easily over boundaries. “Master!” There is a call.  “Yes!” is a response.  This practice is seamless, continuous and unending.  Call, response — who calls? Who responds? As I write, the white pine trees outside the window dance in the wind. So, here is the voiceless voice, a mysterious call from I know not where. Out of the dark recesses, feels like the heart, there rising in me, equally mysterious, “Yes!  Yes!”

Blessed Poverty — Feeling the Way

This blessed way calls us forth, to feel our way as we experience life as it comes to us. Feeling our way along feels like a naked trust, as it can only be undertaken “in the dark,” from a place of not-knowing.  Our trust is naked as we trust the uncertain and unknown, noticing and receiving the offering that the darkness brings, that is our’s in the mystery.

Every Day is a Good Day

Koans are an invitation to the “here” of the moment, to our lives as they are. As we come into our lives we are healed, finding our home in the mysterious vast. Exchanging our ‘life stories” for koan story, the koan turns us around welcoming us as Buddha, as the one who comes thus, tathagata — just so.  Here it is, life before story, before belief, before self. Thus.The sun rises pink on the horizon. The crows call to each other. I open the gate to let the horses in after a night in the field.  This is Yunmen’s everyday.

Save a Ghost

it seems to me that ghosts are almost always trying to be helpful like this: guarding the threshold between the places I know and am fine with and the places where I simply do not want to go, where I believe I will meet my doom. A ghostly, “Boo!” or a rattling of chains is just enough and I’ll be heading the other way. As I interact with these ghosts and keep away from what I fear the ghosts work to save me from something I have found to be a problem. 

Who’s On First?

The moon sets on your knowing, on your images and ideas of self, well known and worn and you welcome what you don’t yet know. You begin to experience the vast and seamless dark on its own terms. You walk alone, dark, and in the dark. Your walk is one of discovery. There is no separation between you and what is. You are at-one.You begin to live and move with deep appreciation of life as it unfolds. You are alone here, for at-one where is the other? Life meets you, here, in this dark town. Then the awakening — this is how it has always been, before rank, before the suffering, before a self.

Rounding the Bend, Peach Blossoms!

Awakening is not something we can conceive of, we cannot think our way to it. One old teacher said, “Move towards it, you move away from it.” Ok. Well, then it is always a surprise. We don’t find it, awakening finds us. Peach blossoms find us. The Universe finds us. And we stir, foundations shake. Lingyun rounds the bend, there they are, the peach blossoms across the valley — they find him — no doubts, no opinions either — just the peach blossoms, the intimacy of awakening. Lingyun disappears in a moment of peach blossoms.